Anyone who would piss their money away on a horn like this has no business even touching a REAL saxophone! If you can't get a good sound on a CB then you probably aren't made for the horn It sounded alrite at first, but started to basically fall apart. I ended up getting rid of it and havent played tenor since, because i could never find a nice enough horn, that i could afford.
I played some great Mark Vi's and stuff, but they're ridiculiously expensive. I think the problem with cannonball is there is no consistency. They're not mass produced, which is good and bad. They each have their own character. However, I have heard other people play Cannonball's, and they actualy sound pretty darn good. Then again, I've also played some pretty crappy selmers, so who knows. Excellent intonation, but sort of "cheap" in certain aspects noted in other replies.
Then I tried the new Yamaha Custom Z. That did it. It's priced about the same as the CB but has much more flexible, "living", tone and response. Has some intonation issues yes, but no worse than the VI. No wonder Phil Wodds finally is playing a new horn. You'll have a real horn to play. I really suggest buying one. The bigger bell really gives a great tone. They also have 2 interchangable necks for brighter and darker tones. By the way, im new to this site, just discovered it right now.
So yeh, hey everyone. He played a King Super I think if Cannonball knew about these, he would turn over in his grave. Seriously, spend your money on a more reputable brand Yamaha, Selmer, Yanigasawa, Keilwerth I don't think any professionals would want to use a C-Ball sax, and i recommend that you spend a little more and buy a selmer paris, or a Yamaha yas or higher sax.
I haven't tried the Cannon. I tried and purchased the impressive "Daniel's" alto for a student, at a much better price than those mentioned above. Anyone can become a dealer. Tell me something though. Does anybody know any pro that plays them. Any good player can make the crappiest horn sound good look at Bird. I've played one, I couldn't stand it. The tuning was worse than a yanagisawa and it was quite bright as everyone said above granted I have a bright tone myself.
If you ask my opinion, these people above that are raving about them are the type of people who walk down to their friendly neighborhood music store that carries only 3 kinds of reeds, and these people succomb to their disgusting business lies. If you want to hear what people think, why don't you email someone like Brecker or Redman, or a sax prof. Don't listen to the guy in the store trying to sell it.
He can probably play as well as well as a high school senior or a mediocre college student, not that there is anything wrong with that, he has just chosen the business aspect of music. And go to a real saxophone shop like the Saxophone Store in Evanston IL, not the jerks that sell horns way overpriced to make a commission. Cannonballs are basically student models with some fancy writing on the side and the laquer taken off to make a bad player a.
If high B and C are in tune and high D and above is in tune, how in the hell can high C end up sharp by a quarter tone? I just experienced this trying a Cannonball. And the other horns in the shop are well setup. I tried several. As far as I'm concerned, there's better options in that price range like an intermediate Yamaha. I know. There's good ones and bad ones. I also found the palm and pinky keywork to be terribly awkward. And the low notes rather stuffy - no tonal consistency.
Sounded like I was playing 3 different saxophones. And when a horn says "Designed in the USA" and you can't find out where it was actually made, beware, man. C fingering to bring it down in pitch. It is still a little sharp, but its better to have a slightly sharp C than have the same fingering come out as a flat Db.
There may be other good professional saxes, but not that i have played on. It's a horn that I think is really great for the bigband sound. It just has the big full sound. And the lower register The only problem I find is that it does have bad key work and a lack of character. But really sound is what matters not key work and my view on the lack of character is simply my preference and the kid may like it.
I kind of do agree that it is kind of a student model tho, but hey maybe that's what the kid wants. I guess you get what you pay for. Oh and bluesguy you are definately right I thought the yangisawas have great key work too. All of these horns are very dependable, but yet remember the price tag and suddenly they don't look so good. It had a silver plated neck. All I can say is that it looked far better than it played. Someone who wants that big band sound should get themselves an old Conn.
At least on those horns, the intonation is worth fighting for. I belive that it's lazer and not done by hand I hate that However, globle series comes with two necks one of which would be silver plated. I said that it had a great bigband sound not THE bigband sound. You are very right about the vintage conns. I wish I had one It's sad tho This is why I didn't buy a cannonball. If you want a horn with professional looks you get this one. If you what a horn with professional sound, stay away.
And it doesn't have to be a Naked Lady Artist series Conn to be worth playing. Lately, I've been evaluating bang for the buck on horns, and sax gear is really quite the racket. If students of saxophone were taught how to care for their horn and adjust it on their own, I think there'd be a lot more tolerance for some of the lesser gear that's out there.
What really pissed me off was the price difference between a Selmer III and a Ref 54 considering that they are for all practical purposes are the same horn. Amazing what a little marketing can do to the price. Out comes a Series III without the C tonehole, less ergonomic keywork, and your choice of a few horrible looking finishes. Why not just make a "simulated patina" finish with spotty patches of different colored lacquer. Whanny whanny. BTW, the ref alto comes in one finish, gold lacquer almost the same as that on a mark VI, but just ever so slightly darker.
I dont think you know what you are talking about. Please don't report me to the saxophone police. I've seen a tenor with that horrible matte finish and then the coffee orange cough medicine that they spilled on the altos I would hardly call it gold though that's maybe what they call it.
Not so sure that it's so much about me not knowing what I'm talking about or you being such a pantywaist. Have you ever seen a ref alto infront of you?
No, it is definately you not having a damn clue in the world. A repair technician that doesnt know about chemical cleaning. With the variety of lacquer, no lacquer, nickel plate, or silver plate, and combinations thereof they all have found a Cannonball that equalled or bested their current sax. Everyone out there should clean out their ears and be happy that there is a sax out there that can do everything well.
In direct comparisons with open minded players and listeners, the Cannonball has beaten saxes costing 3 times as much. I couldn't be happier with my horn. I have been a technician for 21 years and am impressed with the quality of build. It is far more consistent and better built than any Selmer or Yamaha.
It is the only sax on the market that plays right out of the box. Yes, this sounds like a Cannonball Ad but if any of you with open minds go to Cannonball's website, read about them and see who is playing and endorsing them, then find a dealer who has the new big bell series and go try for yourself.
SaxWeenie - I'm not a repair technician in the official sense , nor would I ever claim to be a "sax connoisseur" but thanks for the compliments. For me being such an idiot, you sure seem to hold me in pretty high regard I'm a passionate hobbyist and a pretty good player considering it's not my full-time job. They have a beautiful solid tone, and are just plain awesome! I tried a buddy's Cannonball tenor with my Gregory mpc and I was impressed. A decent horn for the price, though it doesn't compare with top of the line Yamahas or Selmers.
I just purchased one unlacquered and I love it. They do sound great but in the long run their are a pain. After a year the sax will start doing its own thing and mainly becuase they are made in Tawian. I don't want to have to even think about buying a new horn for decades, so even though this Accent is a great price for its sound and features, I'm probably going to suck it up and dish out for a Yanagisawa or Selmer SII, maybe a Yamaha Maybe listening to loud heavy metal music has damaged your hearing?!?
You want to hear beautiful sold tone Here's my opinion of cannonballs They should be melted down into round balls and used to blow up ships! Then maybe they would be deserving of the name "cannonball". I picked up a Cannon BB Alto about 2 yrs ago. I have to say that some of the naysayers here are way out of line. The positives of the horn are excellent intonation yes, this is true and not otherwise! While the tone doesn't have as much "character" as the VI it is not "ugly" in the least.
I have tried much worse sound horns that cost more. My one and only complaint is that I find the action a bit stiff. They're good horns. Possibly not the godsend that some of the advocates here rave about, but very decent.
Don't kick the one known, proven, set-in-stone advantage of a Yanagisawa saxophone, and that would be playability right out of the case. Of course this is coming from a Yana player. I'm not knocking all other saxophones, oh except for the Cannonball. I kept the Yana, the Selmer put up a great fight but lost, and the Cannonball spent most of my test time up on the wall. It was tinny and unresponsive as far as keywork goes. Nothing more than a dressed up intermediate sax. Has anyone mentioned that they are made in Taiwan?
Or some other such asian country that are currently infamous for their saxophones. That is what I've heard. I think they have the best soprano hands down, and I played their new pro model alto also. What a horn, and I never would have expected something this nice from Yanagisawa. I tried a Cannonball alto and it didn't impress me at all! Well a couple nights ago, I took a brand new big bell global series tenor, and I played it for about 2 hours straight. The sax didn't sound too bad with the Rico mouthpiece.
Both the Otto Link and Meyer metal pieces sounded very thin. The action felt much better on this tenor than the alto I had tried earlier, but it still didn't feel as smooth as my 56 year old Conn 10M! I do see some improvement over the Knight alto i tried, but overall, I still wasn't very impressed. It's exactly what saxguy said, " a dressed up intermediate at best sax". I've been hearing the global big bell for the last 3 years, and had the opportunity to play it as well.
I don't know what you guys have been hearing, but the horns I hear sound dang close to a Martin. The action is fast, and the intonation is just fine. This is from having seen and heard about 10 of these horns play for 3 years. If you are having intonation problems on a pro yani, yamaha, or cannonball, you need more practice, and stop slamming good horns because you lack the experience to play them well.
I have played a yamaha 62 for the last 7 years and it plays almost perfectly in tune goes 5 cents sharp from mid d-g with very little emb. I found the same thing with the people who play the cannonballs. If you don't like the sound, maybe you need to try a different mouthpiece. My runyon makes my 62 boom even bigger than a cannonball and dang close to a martin, but when placed on a cannonball, reduces that big sound drastically. When these horns are shipped, they usually sustain damage.
Those of you nailing CBs, have you had your dealer that got it for you give it a look see to see if everything was still seating and set right? The quality and craftsmenship of these horns is definately lacking for the price. They are NOT pro quality by any means. They need frequent maintenance and adjusting. I don't think they sound good. I thought the big bell would give it a nice big brassy sound, but I thought it sounded really thin.
It sounds nothing like my vintage 10M, or my Super Although they're good horns and I'm NOT knocking them whatsoever, I've never considered Martin to be one of the better sounding horns; especially when compaired to a Conn or a King, I didn't think the Cannonball sounded anything like a Martin.
It sounded more like a Yamaha Z to me; with that tinny, hollow Asian sound. As for volume and projection? It doesn't even begin to project like my 10M even with 4 pairs of panties from the girls in my audience stuffed in the bell! Like I said- I have seen about 10 of these in action for 3 years, intonation, sound, and durability are all great.
Durability can occasionally be an issue, but it's not frequent that it will come up. Making sure that they are checked up after delivery is key, they will often be a bit messed up after flight delivery. My response was in anger earlier because I have seen and heard these a LOT and played on them quite a bit with and without a tuner in and out of bands.
Everyone is being so quick to judge for the most part. Just make sure a good tech looks them over and they play and stay absolutely beautiful- several of the horns I see have never had to go to the shop, and they get banged against walls quite a bit!
Just saw and talked to Paquito D'Rivera recently, he gave up his Yamaha for a Cannoball big bell global black and he sounds even more awesome on it. Even if he got it for nothing this is one player that would not sacrifice an iota of sound quality for a free horn! He feels these horns are awesome and that is off the record, he didn't get the deal like Gerald Albright must have because there is an Albright model but not a Rivera model.. I have yet to play a big bell global that wasn't a great player and NOT intermediate sounding at all.
I am not an amatuer I gig with many well known bands so please don't think these are student rantings! James is awesome. Cannonballs must be awesome Now there was no gun to our heads,but when you are a freshman at music school. We were impressionable at that age, and got taken advantage of by our teachers and the staff at The sax shop. I know of at least 50 kids within a year of me, you had the exact same experience.
So Bobby Black, wherever you are, do the right thing. Give us Northwestern University sax majors back our 6's plus money for whatever lesser instrument we are surely settling for today. I do not expect this exchange to happen.
I had the same experience with my college clarinet teacher, who insisted that we all play Buffet R clarinets. At the time, I was playing a Selmer CT, and liked the horn.
I had no money for a new horn, so switched my major instrument to flute to avoid confrontation. Probably should have kept the CT and the Leblanc. For me, the bottom line is the matchup between the horn, mouthpiece, and reed choices.
It's not easy to find, and takes some investment to do. About 12 of them. I kept a recording of my playing for each combination, a paper chart for comments, and organized all this on my computer for future reference. The results were surprising, not at all what I had expected, and my final choices were not what I thought they would be.
The reeds turned out to make the most difference in both sound and projection. The mouthpieces came in second, and the horn remained the same. It occurred to me that the combinations of these three components are probably endless. It taught me to not make judgment on a horn hastily.
The "matchup" is the most critical part of all of this. One item conspicuously absent from previous posts is the fact that the quality of CB saxes has improved over time from their original offerings to the current stone series. From testimony from other players even those who like CBs , as well as even the local CB dealer who is also a technician , it is apparent that the early CB offerings left a lot to be desired, such as the issue with key metal that is too soft.
That has since been corrected in the newer models. I was skeptical of even wasting time trying any made in Taiwan horn, but on a lark, I tried some CB tenors at a local dealer early this year. Most finishes sounded nice, but didn't really do anything for me relative to the selmer and yamaha axes I already have. The black nickel finish model, however, grabbed me for its full sultry sound. I bought it and it has become my main gig horn. I won't demean the opinions of other players here, who are probably honestly reporting their disappointment with cannonball horns.
Many sax forum trolls knock horns they've never ever tried and just sing the praises of their favorite axe. I'm just happy to say that I found a winning specimen with smooth key action, impeccable intonation, and a tone color that really really pleased me, at a price a fraction of that of the big name horns. The alignment and adjustment have remained true after scores of rehearsals and gigs. To say that the CB horn I play is not a "professional horn" strikes me as plain silly considering I get compliments on the sound I get all the time at gigs and concerts, my phone keeps ringing.
It sounds even more silly in light of the number of elite players who are now playing and endorsing them, such as Pete "Unforgettable" Christlieb. I'm sure some of the top of the line Selmers and Yani's etc are fantastic horns, but I can't justify spending thousands more, when I enjoy the sound I'm getting now with my newer CB.
I would at least recommend someone try one of the newer models. The VI is a great horn, great action, tone, and evenness of sound. Keilwerths I think have a great sound. But please, Cannonballs are chinese horns, they're junk. They are not expensive horns, unless you can't afford a good horn. I would play on any Yamaha 61 series not a 62 , or a custom Z. I won't even touch a CB. My professionall Opinion. I play Jazz, I also play classical bassoon.
But I love to play Jazz on it. CBs Suck! There are other Saxquest persons here who have tried the newer models, and find them to be much better than the earlier ones. People can learn, and the brand can improve. I won't part with my vintage Conns, but neither will I slam a brand that seems to have grown in favor among other respected players without extensive first-hand experience.
The first couple Cannonballs that I tried did not impress me at all. They just had a cheap, Asian, student horn feel, and the sound was very disappointing. I expected the horn to have a full, bright sound with a lot of projection. It sounded thin and hollow. The first horn that I played was an alto. Over a year later, and after reading several great reviews from other players, I decided to give CB another shot. I played a Mad Meg unlacquered brass tenor.
Although I'm not a big fan of unlacquered brass saxophones, this model was on loan to me for the weekend. I really put it to the test; trying a few different mouthpieces and set-ups. The sax just screamed, and played very well. I was impressed. Then, a couple months later I tested a few different altos with an Otto Link Tone Edge hard rubber mouthpiece. One of the horns that I tested was a new silver Cannonball stone series horn.
I fell in love with this sax almost instantly and couldn't put it down. The high end was crisp and rang like a bell. There was also a bit of a debate between myself and another saxquest member about the way the Cannonball annealed their brass and manufactured their horns. The debate generated a friendly response from the vice president of Cannonball explaining their manufacturing process and the annealing process I'm an engineer, so I get interested in this type of thing The fact that the VP took the time to reply to my post said a lot to me about their dedication and committment to making quality instruments.
After my more recent experiences with Cannonball, I would definately recommend their saxophones, and I would consider buying one myself. I'm pretty attached to my old Conns though for the time being. If I'm wrong, I'll double check my info. I have been the proud owner of two cannonball saxes for 5 years now. I got my alto fist. That is untill I played on the Mad Meg.
Holy crap. It blew me away. It was perfectly in tune throughout the whole register and sang with a unique pitch. I usually only went for the well known name brand stuff, not some group called Cannonball has nothing to do with CBall Aderly!!!!
There were some pitfalls, but not in the sound. They had a little bit of work to do with key support in certain areas, something that the series III from selmer had perfected. Well two years later my call was heard and they came out with the new stone series. The best saxophones I had ever played. I just had to sell my old Six alto to get three of their new horns.
They just kicked selmers butt. Dont take it from me though. FYI, their horns are in such high demand right now, that there is a 3 moth wait for a new one!! Every saxophone player should at least try one. They are truly unique. But this is the best sax manufactured in the USA and boasts some awesome finishes.
Take a look your self at www. Its a renaissance thing. I know the VIIs have an uneven reputation, which may be deserved, but overall I've been happy with mine, though I've found it a little thin in the high end. The Cannonball cost roughly half of what it would cost to get something comparable to the Selmer, be it another Selmer, a top of the line Yamaha, Keilworth or Yanagisawa. When I bought it, I didn't purchase it with the idea that it would be as good as or better than the Selmer for half the price.
After playing it for a month, I would have to say that so far, it has proven to be a good value for the money. Time will tell if it is durable, but the tone of the black nickel model, while not being quite as open or flexible as the Selmer, is warm and appealing, the action reasonably responsive, and the intonation superior to the Selmer.
And while the sound and action are clearly more important than the looks of a horn, it is stunning to behold. So, for an instrument that cost half of what I'd expect to pay for either a vintage or new top of the line instrument, my opinion is that at least so far, it's been a good buy. I am a former High School Band Instructor, Sax major, have played professionally on and off for over 35 years.
Until about one year ago, I was an alto player who had rarely played tenor but always wanted one. I have played a King Super 20 Silversonic alto since and it is one awesome instrument. I deerly love that horn and would not exchange it for anything. But about a year ago I purchased my first tenor which is a Cannonball black nickel with gold lacquer keys. Before the purchase I spoke to the owner of the company via email and asked the question about Cannonball Adderley.
I was told the horns have nothing to do with him although they did consider him a great player and the Super 20 a great horn and that both had some influence. Regardless, I do think the Cannonball horns have some similarity to the Super 20's in the character of the sound. Here's a Cannonball tenor saxophone neck as pictured. Please feel free to email with additional questions. Bid early. Bid often! Thank you international bidders! International bidders please note: You might be responsible for customs duty and taxes.
I will not undervalue an item on the customs form. Please do not ask me to do so. I generally ship on Mondays and Wednesdays. If you need an item faster than this please contact me and I'll do my best to get it to you. Additional shipping charges may apply for rush delivery.
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List your items fast and easy and manage your active items. In like new condition. This item has only small cosmetic damages. It is in the original case, and was rarely used. Has only been owned by one party, purchased new. Includes traditional and jazz necks, cleaning cloth, ligature, mouthpiece cover and mouthpiece. Mouthpiece, ligature, and cover have been professionally sanitized.
A high quality instrument. This saxophone is well suited for both new players and professionals. Reeds not included.
All questions are welcomed and will be answered to the best of seller's ability. This is a gorgeous instrument that needs just a little bit of cleaning. This Alto Sax comes with 2 different necks in 2 different finishes.
Picture is provided. Also comes with 2 mouth pieces. Cosmetically the outside case shows signs of being played out a bunch with the latches looking scratched as well as having what looks like a tag removed from under the handle with sticky residue left over.
Can be taken care of with orange cleaner or rubbing alcohol. The sax itself shows 2 very small spots of corrosion on the top side of the bell. Look at reference picture to see exact locations and size. Also around the neck strap eyelet there is a few small scuffs from either a zipper or possibly buttons.
Not that noticeable but had to be mentioned. Happy bidding! Plays and sounds great! Cannonball Mad Meg Soprano Saxophone. The unlacquered brass of this model gives the horn a dark rich tone. Features include high F G keys. This model is unique in that the sax was the first of the Mad Meg series in Soprano. Item Details: Cannonballmusic.
Sixteen semi-precious stones The combination of the stones, the hand-drawn design of the guards and engravings, and the unique array of finishes make each saxophone an art piece in itself. Great condition. The bottom of the tenon was shortened by about 1cm to improve resonance and tone. Google about this. Basically creating a pocket ring inside. Cut marks on bottom of tenon. See picture but does not affect playability.
It improves it instead. This neck also has the famous Stone which also improves sound even more. Raven on the bell. No dings, pads are excellent. This is a sold. Tight, straight Sax, ready to play. Comes in It's original hard case.
Of course pictures are of the actual Instrument You will receive. Paypal payment preferred. Cleaned and checked by our certified technician. These beautiful stones give the instrument a striking look. As well as changing the way the instrument resonates. The combination of fine hand-engraving and semi-precious natural stone touch pieces from the deep earth make each saxophone Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying.
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Shipping: All US ord. Cannonball has quickly risen to the top as one of the leading co ntemporary profesional sax manufactures because of their close wo rk in quality. Detail, artistry. And w orkma n ship. This Saxophone includes original neck and case is in excellent condition. Thank for viewing my listin g. This is an excellent condition model that was previously used as an in-store demo sax.
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Well Taken Care of Sax has very light wear. Light minor scratches Free Domestic Shipping! Please see photos below for further detail. Auction includes everything shown in photos. Feel free to ask any questions. Happy Bidding! We ship all items in 1 business day! Your satisfaction is Guaranteed!
Please contact us first if you are not satisfied with your purchase! International Buyers— Please Note: Import duties. Taxes, and charges are not included in the item price or shipping cost.
These charges are the buyer's responsibility. Although we can still only ship to the address provided by ebay and paypal. We prefer Paypal. We also accept Visa. Mastercard, American Express, Discover. California Orders are subject to sales tax of 8. Please allow up to 2 business days. Entering anot. Also included is the Sax case as pictured. Sceptyr Semi-Pro Series saxophones are designed for the advancing saxophonist looking for a step-up instrument that stands high above its peers. This series includes many features from Cannonball's Professional saxophone models.
Please contact us directly if you encounter a problem with any transaction or product so that we may resol. Cannonball 96 Excalibur Alto Saxophone Used!!!
The saxophone is in good shape. There are no major dings or dents through the body or bell. There are wear and tear marks from use though. The pads will probably need to be replaced, but the springs are in good shape! We always recommend that any used instrument be taken to a professional to be checked out and cleaned before playing! If you have any questions please let me know!
Thanks for looking and Good luck! This is a used saxophone in good condition- does have some wear from playing but overall this is a beautiful piece. The sound quality is amazing and crisp- very clear. This has a silver body with etched designs throughout and the logos, also featuring pearl white keys- very complimenting combination. This comes with a Black hard case as well. We are starting this out at a LOW price so everyone has a fair shot!
Don't miss out on this excellent opportunity today! We Only Ship to the United States. No International Bidders Please. Thanks for shopping with us! Check out our other great auctions too! I purchased"Lolita" Spring of The thing that drew me to Cannonball Saxophones was its large bell. If you're a buyer that has never played a saxophone. The hardest part is gaining control over the"lower stack" or the right hand side of the horn. I played this at college making the top ensemble with her.
She has an F key which would technically make her in line as a professional model. She gave me confidence when As you can hopefully see from the pictures. She is in mint condition and working great.
No sticky buttons no alignment problems. Lolita comes with: Case-2 neck pieces-mouthpiece cover As a buyer and seller on ebay. I want to be upfront and honest as karma does exist. There are zero problems with the horn however the case handles have become worn down a lot as you can see from the pictures.
They still work fine just falling a part. I've been told there is some shops that will fix this for free, and others for cheap.
Honestly I haven't looked into it much because I would rather spend the money fixing the horn than the case itself. She's never been dropped or outside for marching band always took a school horn out Please note a mouth piece is NOT included. I use a C star with a Winslow ligature and she sings for me. Almost new and looks new. Rarely used Cannonball vintage Laquer"Lady Godiva" tenor saxophone. Includes strap, Otto Link mouthpiece, Hard case.
Will ship within USA only. No International shipping. This is a display model available at our local retail store in Bellevue. There are signs of very minor use from play testing and just being out on the wall.
Nothing major at all. For all purposes this is a new instrument. Includes the case and case candy! Will ship with original box. Pictures are of the actual Sax for sale! Bow, and Necks Italian Water-Resistant But to be sure, please e-mail with any questions before bidding or buying! Available at our Bellevue. Thanks for looking!
For you consideration is my preowned Cannonball Tenor saxophone prefect for a student to a seasoned professional. This horn has been set up and is ready to play. It plays well throughout the registry with amazing tone and timbre. It will come with the case. Neck strap and mouthpiece. I have made a video of this horn as well as taken many still photos you can review below. Photos and stills were done May 5th International bidders email me prior to bidding so I can get you a quote on shipping to your country.
Attention to international bidders: I am not responsible for any duties. Taxes or fees levied by your nation's customs as they may be associated to your importation of this item. Also as shipping from the USA to many countries may have sizing restrictions and varying associated costs, I request I stand behind every auction I run and the depiction of the item within, I am striving to provide you with the best eBay purchasing experience I possibly can so bid with confidence and shop victoriously.
Seller added the following information:. Favored by jazz. Rock, and classical artists alike, this horn has excellent dynamic range and unique looks. Features such as the large bell, semi-precious key-stones, and two necks set this horn apart from the competition! This instrument was thoroughly cleaned and inspected prior to listing; pads are in excellent condition and the keys are in good adjustment.
Throw on your favorite reeds and you'll be ready to play! This sax was well maintained by the original owner, and aside from a few tarnish spots and scuffs, looks and plays like a new instrument!
Cannonball Classic Baritone Saxophone Mouthpiece. Hello saxophonists. I got it as a back up but didnt use it so it has to go. I think the tip is. Great for beginners or so without breaking the bank! By the way. I think this is plastic but somehow it doesn't feel like it so I have no idea. Please contact me before paying! I will send you the revised invoice. People who pay cash on collection will receive a free baritone mouthpiece from me which I modified for this particular Conn!
If you guys need any refacing needs. Please check my Facebook page for more details: http:www. Mods Terms and conditions: One day shipping upon receiving payment. I welcome international I try to describe the item to the best of my knowledge. So you need to ask if you have any doubts.
Any additional custom fees subjected are at buyer's responsibilities. Please check your country's import regulations. I do try to describe my items accurately and by purchase. You've have accept the terms and conditions that you've read and understood. I do not accept returns based on seller's regret!
Which there are actually some people like that Any sale is final. Probably the third time I mention this. Bidders with 0 feedback. Please contact me prior to bidding if not it will be removed. In good condition with normal player wear, This sax is ready to play! The case is solid with a few exterior cosmetic issues. Please refer to pictures for accurate physical condition. Includes everything shown in photos Feel free to contact us about this item.
We strive to be 5 star sellers and quick shipping is a part of that. We cannot ship expediently if your information is incomplete. Please help us to serve you better by ensuring your eBay contact information is up to date and verified with a valid and current telephone We reserve the right to stop auction at any time due to in store sales. Alaska, Puerto Rico and Virgin Islands. We do not ship to these areas. Buy Safe as we are a long time Ebay seller and verified member of the community!
There are scratches and dents on the surface of saxophone. There are changing colors of metal on top of the sax. Pictures No Auction includes: Saxophon. Everything that you see in the pictures. USA, Yamaha. We don't send to worldwide. If you have less than 5 feedback's. In the unlikely event you are not satisfied with the transaction.
Please contact us before you submit your evaluation. We believe that everything could be solved by communication. I accept paypal only. The Buyer pays ALL import duties and taxes. These charges are your responsibility. Packages must clear customs and this will take a few days. Most countries charge customs duties and taxes on items being imported from the US. You are responsible to know your Country's importing laws and taxes. Import duties. Taxes and charges are NOT included in the item price or shipping charges.
Duties, taxes and charg. Cannonball Musical Instruments Saxophone Sceptyr. Pre-owned saxophone but in good playing conditions. Please take a minute to look at the pictures carefully. Comes as shown in the images. This auction includes mouthpiece. Please feel free to ask any questions. Thank you. Here for auction is a.
This case is It has handles on top and side, stand up feet, velvet lined, Croc finish 3 latches, like new condition. I also have a larger one listed, the last picture shows both. This auction is for the smaller one. Any questions feel free to email me. Check my other items too! I accept paypal. Winning bidder pays actual shipping costs only. Ask for Insurance if you need it, and I do combine with other winning items.
Please contact me within 24hrs. Thanks for looking and see my other items too! This one was made in France. Circa , serial number The horn was just gone over in our shop and is ready to play.
The pads and corks are all in decent shape. The finish is all original and does show some wear, but no serious dents or dings. It will ship in a nice Cannonball case the handle vinyl is coming off, and might need to be replaced, but the rest of the case is in great shape No mouthpiece is included. We've included a lot pictures that should show the condition.
Feel free to email any questions and happy bidding! We are a retail music store in Tucson. AZ, that specializes in used musical instruments and gear. Feel free to call with any questions you might have We strive to be a five star seller Please let us know if there is ever a problem with a transaction. We will do whatever we can to make sure you are happy with your purchase.
Payment to be made by Paypal. Feel free to email any questions and happy bidding. We gladly ship internationally. Please refer to USPS. Email for shipping costs. Please check with your country's customs office to determine wha. One in the finish of the instrument, and the other silver-plated. For Brute models, both necks come in the Brute finish.
These beautiful stones give the instrument a striking look, as well as changing the way the instrument resonates. More on Stones. Thanks for shopping with Tulsa Band! This sax has a stunning deep dark golden finish. This sax has been USED as a display model in our retail store. An original neck and Cannonball's patented silver-plated Fat Neck.
They have beautiful hand-engraving and semi-precious stone touch pieces. This item is in good working condition. There are some light surface scratches from normal use. This sax is in good condition. Case shows light wear. Auction includes only items shown in photos. We will not be responsible for changing the package destination once item has left our shipping department.
Our items are shipped via UPS. No PO. We require an adult signature. If you have any concerns please email us before placing a bid. Sales tax applies for local and shipped purchases in the state of Arizona. Unless otherwise stated. This is an original print ad for King Super saxophones! It opens up to measure approximately 16" x 11" overall. Has no stains, with small staple holes in the centerfold; comes from a dry, high-altitude, smoke-free environment, and is strictly graded"Fine" This vintage ad is not any kind of later reproduction.
Photocopy or reprint most ads were published at one time only, and never commercially reproduced An unusual and distinctive piece for your frame. Please scroll down to see our shipping information. As well as your Use this box to search ALL of our listings! Click our logo to find a similar item from us!
Who Buys Our Vintage Ads? Over the past 15 years on ebay. Our customers have included museums, galleries, national archives, concert halls, corporate archives, universities, TV and film production companies, private collectors and others in over 90 countries on all seven continents- yes, including a person stationed in Antarctica. If you've seen print ads used in set decoration for TV shows or films, you've likely seen our ads.
If you've looked in major store display windows in New York at Christmastime, you've likely seen our ads. We've been lucky enough to have worked with some of the best in a wide variety of industries, and are looking forward to working with you too. Please let us know if you have any questions. We ship worldwide.
We will combine as many items in one package as you want. To save shipping costs. We ship SIX days every week, and if your payment arrives before noon Mountain Time, your package goes out the same day. Pete Christlieb Cannonball signature vintage tenor saxophone photo print Ad. This is an Original Magazine Print Ad. It is not any kind of Reprint. Copy or later Reproduction. This is the Original. Vintage and Unique Ad.
I Accept Paypal for payment Please e-mail any questions you may have Powered by The free listing tool. This is an original print ad for King saxophones! It measures approximately Has no tears or stains, comes from a dry, high-altitude, smoke-free environment, and is strictly graded"Near Mint" This vintage ad is not any kind of later reproduction. As well as your other valuable paper collectibles- We have These are great for Jazz and project an awesome sound.
It comes with two necks. One straight and the other curved; also a Yamaha mouthpiece, several ligatures, and a box of five Rico reeds. This features the popular black nickel body with gold keys; it is in good condition with no dents, dings, or scratches though there is some minor corrosion around the lower keys and on the curved neck. I have played this for several years and have really enjoyed it; it plays well and is very solidly built.
By comparing early verses later instruments, it becomes clear that some Adolphe Sax Selmer saxophones were assembled from the old Adolphe Sax tooling and other were put togther using parts and tooling from the Selmer St.
Louis Gold Metal model instruments. There were two series of Dorsey horns. The first series was made in with serial numbers 24xxx and the second in with serial numbers 27xxx.
Home » Museum » Serial Numbers. True Tone - Buescher Manufacturing Co. Year Range Serial Range - - New Wonder - Chu Berry Year Range Serial Range - - - - - - - - - - - - F-mezzo soprano Keyed in F, the F-mezzo design is a unique hybrid between the Chu Berry and the Naked Lady with same side bell keys.
Basic design is of the Chu Berry family. Year Range Serial Range - -
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